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How to use QR Codes to Go Viral

Disclaimer: I don’t actually show you how to use QR codes to Go Viral – that title is just really searchable.

What I will do is outline the options you have as a marketer to use these types of codes.  Then you can choose how to creatively use them while paying attention to a few examples on how not to use them at the end. One example is slightly humourous, skip ahead to the image of the banana if this is boring you.

Recently, some smart people at ComScore pointed out that very soon (2012 or 2013) Internet users will access the Internet more through a mobile device than through a fix position. Ie. desktop computer etc.

So, in essence what is a QR code and why should I care? Basically, it provides a means for a smartphone owner to scan a code and be directed to a predetermined web location or other smartphone options.

There are three types of of these scanable codes that I care about.

 

 

 

1) QR requires you to have any number of scanning apps and is your basic code that simply pushes you to a location.

 

 

 

 

 

 

2)For Microsoft Tag you need the specific app and an account but what that does is allow you greater functionality like tracking, changing the codes push location at will and visual customization of the code.

 

 

 

 

 

3) Finally, Stickybits is a bar code app that also requires you to download an app and set up an account but has cool features like geo tracking, comment walls with media posting capabilities and a point system.

 

 

 

 

2 and 3 are great in theory but not widely adopted which makes putting these codes on Out of Home advertising, retail locations or print campaigns an uphill battle in terms of moving the needle. Users may understand they need to scan but are presented with a barrier of signing up for the service before they reach the payoff.

My personal opinion is that a QR code (1) is the most probable to use with any affect right now. If you are going to use them make sure the destination attached has added value for the user though. Put a download on the other side or allow the code to shortcut the user to a website instead of relying on them to punch in a complicated url. This will help your cause and you can track that through the number of mobile downloads or mobile visits to a site.

Here are a few examples of where not to put QR codes.

UNDERGROUND ON A SUBWAY CAR!

If you are going to use QR don’t put it on an advertising that lives underground where people probably don’t have access to the Internet. Your time is short with your consumer and if they can’t get to your desired location they won’t search it when they get off. They have places to go..

Oh yah. If you want people to scan don’t put the ad on the other side of the tracks…

Next.

DON’T ASK PEOPLE TO SCAN A CODE THAT MAKES THEM LOOK LIKE THERE IS SOMETHING WRONG WITH THEM!

Fellas, if you had an issue…down there…would you actually scan an ad talking about your ailment to publicize that to the rest of the train…not likely. I had to secretly snap this picture to avoid being judged. This ad was also on a subway.

Take what you will from this. These codes serve a utility or an extra value add to ongoing campaigns for now but don’t bank your campaign around it.

Cheers


April 17, 2011 | 11:04 AM Comments  0 comments

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Nike vs Adidas an Age Old Marketing Battle

Here are two searches worth browsing if you are ever curious about this Marketing stand off.

Search: Nike Ads

Search: Adidas Ads

Spend some time looking at the campaigns.  This is the best way I can serve up the info as my obvious bias plays favorites here.   So, I”ll show you both sides of the coin.

They are epic – and I’m interested in your comments on these two battling it out.

Cheers


March 29, 2011 | 10:03 AM Comments  0 comments

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Interactive Videos Give Digital Another Edge Over TV

If you stumble across an interactive video you should get a tug feeling even if you don’t like it.  In its very nature viewing the intro video to an Interactive is like reading the hook of a book.  The video by itself feels incomplete.

Other Interactives for your viewing pleasure.

Cheers


March 23, 2011 | 10:03 AM Comments  0 comments

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A Series of Links for those in the Digital Ad/Brand Business

Very Cool links for those in the Advertiser/Branding/Digital industry.

IBM’s Watson AI Jeopardy practice match

One Club: Best of Digital Decade

Nice Profile of R/GA

Meet Firstborn (great reel)

Spanair – Unexpected luggage (don’t worry about the Spansih only – it will make sense)

Conversation mode in Google Translate

Vivian Maier, street photographer and nanny

Case Study #241: The Sistine Chapel

Gol Airlines – Mobile Check in

Repost: Creatives grow better in the South West

Heineken The Entrance

Netflix spends 20 times more on postage than bandwidth

“Arica” A Special BFBC2 Musical Tribute

Carlsberg – Probably the best ad in the world

What happens when mom unplugs teens for 6 months?

On a bet, party people fill KLM flight to Miami using Twitter

Will Agencies Become Publishers?

Things That Should Have Happened By 2011

Intel: The Chase Film

Email Evolution: Web-based Email Shows Signs of Decline in the U.S. While Mobile Email Usage on the Rise

BMW Activate the Future (Docs)

Kids Looking at Old Tech

Princeton study shows that easy fonts make things harder to remember

Graphic: How big, exactly, is Starbucks’ new ‘Trenta’ size?

Samu Social escape the street

The State of Wikipedia

How Adam Got @Adam and Became Cool Online

Kids Lend a Digital Hand

LivingSocial Hits A Million Amazon Gift Cards Sold, $20 Million In Card Value

Google to Launch Groupon Competitor

Only 66% Use Twitter Profile Location Field as Intended, Says PARC Research Study

In Race to Market, It Pays to Be Latecomer

Bus Shelter Ad Keeps Commuters Warm While They Wait [Pic]

Internet archaeology: Dig into Wikipedia’s deep past

Making Of. Aston Martin Rapide.

YouTube Brings Pre-Roll Ads to Android Mobile App

Facebook Post Insights Go Real Time

Cayetano Ferrer

Wrapping that will tell you when food’s going off

The Best Times to Buy Anything in 2011

World’s First Terrestrial 3D TV Service Starts in Italy

Ray-Ban subway running

Sergey Brin: We’ve Touched 1 Percent Of What Social Search Can Be

Start Your Own Car Rental Biz

For Magazines, a Bitter Pill in iPad

A TV-Internet Marriage Awaits Blessings of All Parties

Universal and Sony Music plan ‘instant pop’ to beat piracy

This Clever DIY Briefcase Only Opens When You’re at the Right GPS Coordinates

Lipton Brisk Machete

The Washington Post Enters The Facebook Advertising Business

Control the Humanoid Robot by Kinect

All iPhones Will Have Personal Hotspot Ability With iOS 4.3

Qwest field beers

10 devious new ways that computer hackers can control your machines (or fix them)

New York Times Said to Charge Less Than $20 a Month for Access to Website

Eighth grader knocks Angry Birds out of the top free spot on the App Store

If an Advertising Agency Took Over a Child’s Birthday Celebration

Fruit fly nervous system provides new solution to fundamental computer network problem

‘Gamification’: A Growing Business to Invigorate Stale Websites

Advertisers Want To Buy Audiences, So Adobe Buys Demdex

Banks tucking targeted ads onto online debit statements

New Glass Tops Steel in Strength and Toughness

Pay for Your Starbucks Addiction by Waving Your Cellphone

Creative Eco-Reminder Stickers by Hu2

Third-Party Facebook Apps Could Have Access to Address and Phone Number

Milk packaging concept by Kian

The sun rises two days early in Greenland

Pew Study Says Internet Users More Social, Civically Engaged

Google Issues DoubleClick AdEx Report Card, Promises Big Lift To Publishers

Let Your Hotpot Friends Help You Search on Google Maps

New Type Of Entanglement Allows ‘Teleportation in Time,’ Say Physicists

Google Voice Is About To Take Off: Number Porting Coming Soon For $20

Wigli Stool Has Your Back

Social Media Breeds Edvertorial

Stop Being Lazy And Come Play Nike+ Tag With Your Friends

The Trashmaster, a full-length film made entirely in GTA IV

The Amazing Carbon Fiber Loom Toyota Didn’t Want You To See

Restaurants Reach Out to Customers With Social Media

Jesus of Wikipedia

Scientist Plans to Clone Woolly Mammoth

Phone manual includes instructions for faking a call

Bonnier, Crispin Team Up to Develop Better Tablet Ads

House of Cards Table

Is Your Brain Like an iPhone?

Flying Arrow Camera

itay ohaly: elevated bench

In The Race To 10 Billion Downloads, Apple Uncovers The Top All-Time Apps

New BBC Series Show How Amazing Humans Can Be

If Movie Characters Had The Internet

For the Love of Elephants

Cheers


March 21, 2011 | 4:03 AM Comments  0 comments

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The Complex Term of “Viral”

Viral is one of those words that gets thrown around a little too often.  Have you ever met a person who uses a word out of context but is completely oblivious to that fact.  That sense of annoyance recently crept back up on me.  Be careful of anyone who claims they make viral videos or worse yet, will make you a viral video.

There are a few things you need to know to manage your own expectations when dabbling in video production for a digital release.

The first is that if you are making a video for a brand you are instantly faced with barriers that aren’t present for a common content producers.  People are inherently turned off by ads so digital advertiser have to craft their branded content to be mass entertaining (Old Spice) or use entertaining content as a vehicle to discretely display your product (JC Penney).

The barrier of adding a brand into content plays with the expectations of those paying for that content.  Someone telling you they can create a viral video could be trying to tell you they will sell you a winning lottery ticket if you aren’t clear on expectations.  Watch the Ad Age Viral Video Chart and notice to number of views.  Compare that with the most watched videos of the week on YouTube.  In the brand world viral operates at a lower level in terms of views.   I am not saying ad content can’t be considered truly viral.  Simply that the majority of ad content is mis represented as truly viral and should be only be considered viral within the ad world.

The fault falls on no one here, but the word viral has been diluted to describe the top performing brand content on the web.  Ads also get to their Ad Age status with a hefty spend in online ad buys for mast heads and Facebook ads.

So be warned, an ad’s viral measure is not the same as common content.  Common content is where the viral views show their true power.   A recent catastrophe like the Japan Tsunami,  a celebrity breakdown or posting your 5 year old singing ‘born this way’ the day after it’s release all fall into a category of content that is not restricted by an agenda and give the term viral its original meaning.

Cheers

 


March 20, 2011 | 7:03 AM Comments  0 comments

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Justin Bieber Took Over The Chart

If you look at the history of this blog and the updates on who has the most popular video you will notice some very common trends.

It was not that long ago when Lady Gaga completely dominated the All Times Chart rocketing herself to the top with `Bad`.

After years of struggling with how music videos should appear on the Internet Vevo is clearly the answer.  What any video outside of the music video category would hope to acquire in a life time  in term of views Justin Bieber did in a few months.  His song `Baby` is now over 300 million views.  Pretty good when you compare it to singing on a Stratford street corner.

What is now set in stone is that there are two major All Time Charts.

Music, which large artists like Justin Bieber, Lady Gaga and Eminem (note his `not afraid` single is almost in the Top 10 of All Time and it was just released) and then there is everything else.

The YouTube All Times Charts has been left to the creative, corky and cute videos it once had pre music video dominance – like Charlie bit my finger again.

Cheers!


September 2, 2010 | 1:09 AM Comments  0 comments

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The Most Viral Person on the Internet

The article’s title is a giant claim considering the measurement system online hasn’t been standardized.  BUT, I urge you to find someone more infectious on the internet than Lady Gaga.

She has become a mega star in the last year and if you thought Susan Boyle was huge check out Gaga’s social network.  Her Twitter and Facebook are both in the millions in terms of followers and fans.  There is no point in listing the current number on either of these networks because that figure’s growth is so large any attempt would be quickly become outdated with her next release.

What I will do, to give some perspective on Gaga’s online fame, is show you how she has elbowed her way to the top.

In a recent article I outlined how the landscape of the YouTube’s all time most viewed content has shifted with the introduction of Vevo.   Vevo has taken some key top players off the top of the YouTube chart and left room Gaga to climb to the top with her incredibly successful song Bad Romance.  In a few days time she will surpass Charlie bit my finger as she has closed the gap to be within 1 million views of the famed Brit.

Charlie Bit my finger  again- 178 018 293
Bad Romance – 176 812 357

Why is relevant?

Charlie bit my finger has been online for years whereas Lady Gaga’s Bad Romance has only been available for months. Kid clips individually just can not compete with the viral nature of music.

Cheers!

Note: the tactic of including “Vevo” in Lady Gaga’s channel name and allowing the label’s music to be played through the Vevo advertising system while still including it on the YouTube all time chart means the song is double listed unlike any other top performing song.  Avril’s “Girlfriend” does have the tag but is not listed on the YouTube all time most viewed chart.


April 13, 2010 | 10:04 AM Comments  0 comments

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Where Does Online Video Stand Now?

After reading a recent AdAge white paper assembled by Michael Learmonth it’s clear that major shifts are still to come. As much as people feel they understand the landscape of the media world, there are still some big unknowns.

Here are a collection of stats and quotes pulled from the white paper that have to do with the evolving media industry. The white paper also includes a brief reference to viral videos and essentially comments on their illusive behaviour.

It’s NOT a Revolution BUT an Evolution!

What we are witnessing isn’t competition between TV and the web; it’s the merging of interactive video and TV.

Major stumbling block for web video is the inability of the biggest TV advertisers to make a direct comparison between the effectiveness of TV and the effectiveness of an equivalent buy online

Media Companies…[are] ready to distribute on the web and offer web video to marketers but they’re not ready for that to replace what’s happening on TV

Viewers in the US spent an average of 12.2 hours watching online video (November)

The average length of the videos they watched more than doubled

Advertising

Internet advertising represents $699 million of the $24 billion U.S online ad business

TV is 66 billion dollar industry (US)

Where’s the Cred Online?

The two leading metrics companies differ substantially in their reporting – Comscore and Neilsen’s videocensus

Comscore – YT owns 40% of US video market
Neilsen – YT owns 60% of US video market

The “Cool” Demographic on Television is Melting

TV’s median age reached over 50 years in 2008

The Pirate Dilemma Still Exists in Full Force

20% of 18-24 years olds said it is acceptable to download tv shows free and without ads

Does YouTube have a Viable Business Model?

10 million [is the] monthly rate at which YouTube is now monetizing its homepage – has ability to pull in 400 K a day

YouTube has indicated that it is selling ads against more than 10% of its video streams in the US” – Up 6%

YouTube serves about 1.3 billion videos per day (worldwide)

YT estimated to turn a profit in 2010 if not already

*(reason of speculation is based on the their unknown operating cost)

YouTube and Pro Content

Hulu’s relationship with pro content providers (exclusive deals) make it difficult for YT to get access to pro content.

Hulu serves up over 900 million views a month in the US (November 2009)

Total video views in the US are over 30 billion (November 2009)

Online Video CPM’s in a Nut Shell

YouTube – $15
Espn – $22
Vevo – $25-35
Hulu – $35- plus
ABC.com- $45 – Plus
CBS March Madness ON-demand – $70
Wall street Journal video – $75-100

Cheers!


April 3, 2010 | 11:04 AM Comments  0 comments

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Is Vevo the Answer for Online Music Videos?

vevo-logoIf you haven’t check Vevo out yet you really should.  Just over 2 months ago YouTube and some of the major music industry players (Sony, Universal and EMI) got to together and launched their answer to a consistent debate about their music content being stolen through the YouTube platform.  Did it work?

Well that depends on who is asking the question.  I can tell you that the strategic move of all their music video content from the main YouTube platform into another has shaken up the charts and reworked their business model.

First off, The avid user will now notice that the YouTube chart consisting of the most viewed music videos of all time has lost some of its leading content.   Avril Lavigne’s Girlfriend was the most viewed music video of all time on YouTube and stayed on the top of the chart through 2009.  Now it no longer appears on YouTube…What happened when they flicked the switch?

Well YouTube’s All Time chart started to look like it did back in early 2009.  Original viral videos like Connie, Paul Potts and guitar made it back on to the first page as the music juggernauts transfered their music to Vevo.  It also gave music videos not associated to  Sony, Universal or EMI the chance to climb to the front page as well.  Miley Cyrus being one of those artists now has 3 songs on the front page.  Pitbull took his song and ran with it too.

So how have the songs like Girlfriend under Sony, Universal and EMI fared on Vevo.  Well, the magic of the Vevo platform being run by YouTube allowed for the songs to keep their view count and carry on their online legacy.  The Vevo All Time chart now looks very similar to the charts we put together when we were separating the content on YouTube’s chart, only now Lady Gaga has completely taken over.  For the first time in over a year Lady Gaga may surpass Avril to claim the title of the most views on a single video.   In a  few months Lady Gaga accomplished what it took Avril almost 2 years to obtain.

Familiar YouTube All Time Viewed Music Videos
Familiar YouTube All Time Most Viewed Music Videos

This  begs the questions of whether it is simply that Lady Gaga is  the next Madonna or whether video consumption patterns are changing.  Maybe both…

So that was how the charts got mashed up but what do they accomplish by switching platforms.  Well there’s a slightly more engaging interface, it’s more focused on the visual aspect, it’s easily compatible with other Google run accounts and has easy buttons to favorite and create playlists.   Is that enough?  The ads meshed into the business plan are played between videos and are easily skipped plus the annoying factor that the site is limited to Sony, EMI and Universal content rather than a consumers on demand search of all content may inhibit the adoption their looking for.

What puzzles this cat is that YouTube Partners get paid per view so why would they not create customized channels within YouTube and attach ads to all Sony, EMI and Universal content rather than splitting the traffic between two platforms?  The functionality of Vevo can easily be inserted in to YouTube suggesting some kind of new functionality would come with the release of a new platform.  Not so much.  You still can’t do a search on Vevo without interrupting your music experience which tells me they still haven’t got a grip on the total in-browser music experience online.

Cheers

PS. Vevo currenttly has an Alexa rank of 4078  (Websitegrader.com Feb 26th)

Update Feb 27th:  Ads also flash up in the lower part of the videos frame similar to YT.


February 26, 2010 | 8:02 AM Comments  0 comments

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Welcome to the YouTube Concert! Alicia Keys and Jay-Z Perform Empire State of Mind

It’s still not a familiar feeling to watch live web streaming.  But when Jay-Z appears from the shadows of a live Alicia Keys concert millions of people went nuts in front of their computers (not yet confirmed).

Where will YouTube take us next?

Where will YouTube take us next?

Live streaming has its uses.  Catching sports games or watching Presidential speeches online could make waves but now a new force has emerged to support musicians: YouTube Concerts.

In November U2 streamed a concert out of the Rosebowl in California and had over 60 million people tuned in.  Quickly following suit Alicia Keys dressed up her YouTube channel and joined the ranks of U2 just hours ago.  Notice the live Twitter feed…nice way to start trending.

American Express tagged along with some exclusive branding so no one got a free lunch.  When Jay-Z walked on stage and the song “Empire State of Mind” began you could start to see how the pieces would fit together in future concerts.  This particular concert is part of World Aids Day so this new form of musical distribution has benevolent roots.

CD sales don’t exactly excite most musicians these days.  Record labels take most of the cut anyway.  itunes has a nice monopoly on the per song online distribution method so what’s the new hope for musicians?

Well, why just have a concert and rely solely on ticket sales and T-shirts when you can stream it live and sell advertising?  At least for now big bands can tap into a new promotion/revenue/distribution model.

Cheers!


December 1, 2009 | 10:12 AM Comments  0 comments

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